Format:
Book
Author:
Title:
Edition:
First Edition.
Publisher, Date:
New York : Ballantine Books, [2019]
Description:
356 pages ; 25 cm
Summary:
"Driven to desperation by divorce, boredom, infidelity, or a beloved husband's death, a young woman named Paige, her cousin and rival Heather, her best friend Chloe, and her mother, Joan, all decide to try their hand at online dating. They each download an app, hoping to right-swipe their way to love and happiness. But one of them unwittingly makes a date with a killer, starting the clock on a race to save her life"-- Provided by publisher.
Subjects:
Genre:
LCCN:
2018051132
ISBN:
9780399181559 (hardback)
System Availability:
3
Current Holds:
0
Control Number:
206558
Call Number:
F Fie
Course Reserves:
0
# System items in:
2
Availability
Author Notes
Author and actress Joy Fielding was born in Canada in 1945. She received a BA in English literature from the University of Toronto in 1966. While a student, she focused on acting and was one of four stars in a student movie, Winter Kept Us Warm. After graduation, she moved to Los Angeles and appeared on Gunsmoke. <p> Her first book, The Best of Friends, was published without an agent. She has written numerous novels since then including Don't Cry Now, The Deep End, The Other Woman, Missing Pieces and Now You See Her. The Periodical Distributors of Canada named her book, Kiss Mommy Goodbye, Book of the Year for 1982. She has contributed book reviews to the Toronto Globe and Mail, CBC's The Radio Show, and CBC-TV's The Journal's Friday Night. Her books, See Jane Run and Tell Me No Secrets, have been adapted into films. <p> (Bowker Author Biography) Joy Fielding is the world-renowned bestselling author of Missing Pieces, Don't Cry Now, Tell Me No Secrets, See Jane Run, God Intentions, The Deep End, Life Penalty, The Other Woman, Kiss Mommy Goodbye, Trance, The Transformation, and The Best of Friends. <p> She divides her time between Toronto and Palm Beach. <p> (Bowker Author Biography)
First Chapter or Excerpt
Chapter One "So, tell me about yourself," he says. He smiles what he hopes is a sweet smile--neither too big nor too small, one that hints at a wry, maybe even offbeat sense of humor that he thinks would appeal to her. He wants to charm her. He wants her to like him. The young woman sitting across from him at the immaculately set table for two hesitates. When she speaks, her voice is soft, tremulous. "What do you want to know?" She is beautiful: late twenties, porcelain skin, deep blue eyes, long brown hair, just the right amount of visible cleavage. Exactly as advertised, which isn't always the case. Usually the photos they post are a few years old, the women themselves older still. "Well, for starters, why a dating app? I mean, you're gorgeous. I can't imagine you'd have any trouble meeting guys, especially in a city like Boston." She hesitates again. She's shy, thoughtful as opposed to self-absorbed. Something else he likes. "I just thought it would be fun," she admits. "All my friends are on them. And I've kind of been out of the dating scene for a while . . ." "You had a boyfriend?" She nods. "We broke up about four months ago." "You broke up with him?" "Actually, no. He broke up with me." He laughs. "I find that hard to believe." "He said he wasn't ready to be tied down," she offers without prompting. Her eyes fill with tears. Several escape without warning, clinging to her bottom lashes. Instinctively he reaches across the table to wipe them away, careful not to disturb her mascara. "You miss him," he says. "No," she says quickly. "Not really. It's just hard sometimes. It's more being part of a couple I miss, our friends . . ." "Were you together long?" "A little over a year. What about you?" He smiles. She's trying, he thinks. Even though he can see her heart isn't really in it. Still, some women never even think to ask. "Me? No. It's been a while since I've been in a serious relationship. But we were talking about you." She looks toward her plate. She hasn't touched her food, and he spent hours preparing it, letting the expensive steaks marinate all afternoon, wrapping the large Idaho potatoes in tinfoil for baking, arranging the watermelon and feta cheese salad just so on the delicate floral china, wanting to impress her. Maybe she's a vegetarian, he thinks, although there was nothing on her profile to indicate that. He should have asked when he suggested dinner. "Tell me about your childhood," he says now. She looks surprised. "My childhood?" "I'm assuming you had one." Again, the sweet smile hinting at greater depths. "It was pretty ordinary. Nothing much to tell." "I'm guessing upper middle class," he offers, hoping to stimulate the conversation. "Comfortable lifestyle, maybe a nanny or a housekeeper, parents who loved you, made sure you had everything your little heart desired." "Not really. Well, maybe at first," she agrees tentatively. "Until I was about six and my parents got divorced. Then everything changed." "How so?" "We had to move. My mom had to go back to work. My dad remarried a woman we didn't like. We were always being shuffled back and forth." "We?" "My brothers and I." "I like that you say 'I,' " he interrupts. "Most people would say 'me.' They have no respect for grammar. Or maybe they just don't know the difference between the subject and the object of a sentence. I don't know." He shrugs, sensing her mounting discomfort. Not everyone is as concerned with grammar as he is. "How many brothers do you have?" he asks, aiming for safer ground. "Two. One's in New York. The other one's in L.A." "And your mom? Where is she?" "Here. In Boston." "Does she know where you are tonight? Well, how could she?" he asks, answering one question with another. "Don't think she'd approve of your agreeing to have dinner in a stranger's apartment, would she? Are you always this adventurous?" He cocks his head to one side, a gesture some have called charming, and waits for her response. Another hesitation. "No." "Should I be flattered? 'Cause I'm feeling kind of flattered here, I gotta admit." She blushes, although whether the sudden redness in her cheeks is from embarrassment or anticipation, he isn't sure. "Is it because I'm so good-looking?" He says this playfully, accompanied by yet another smile, his sweetest one so far, and although she doesn't respond, he knows he's right. He is that good-looking. ("Pretty boy," his father used to sneer.) Much better-looking than the picture he posted on the dating site, which in truth isn't a picture of him at all, just some shirtless model with handsomely generic features and washboard abs whose photograph he saw in a Men's Health magazine. Good-looking enough to make a woman silence the nagging voice in her head warning her to beware, to follow him out of the crowded bar where they'd agreed to meet and go with him to his apartment near Sargent's Wharf, where he's promised a gourmet feast. "You're not eating," he says. "Is the steak too rare for you?" "No. I just can't . . ." "Please. You have to at least try it." He cuts a piece of meat from his own plate and extends his fork across the table toward her mouth. "Please," he says again, as blood drips from the steak to stain the white tablecloth. She opens her mouth to receive the almost raw piece of meat. "Chew carefully," he advises. "Wouldn't want you to choke." "Please . . ." she says, as the cellphone in his pocket rings. "Hold on. I'll just be a minute." He removes the phone from his pocket and swipes its thin face from left to right, then lifts it to his ear. "Well, hello there," he says, lowering his voice seductively, his lips grazing the phone's smooth surface. Finally, he thinks. "Hi," the woman on the other end of the line responds. "Is this . . . Mr. Right Now?" She giggles and he laughs. Mr. Right Now is the name he goes by on the multiple dating sites to which he subscribes. "It is. Is this . . . Wildflower?" "It is," she says, more than a trace self-consciously, not as comfortable with pseudonyms as he is. "Well, Wildflower," he says. "I'm so glad you called." He's been anticipating this moment for what feels like forever. "Are you still in Florida?" she asks. "Is this a bad time?" "No. It's perfect. I just got back into town about an hour ago." "How's your mother?" "Much better. Thanks for asking. How are you?" "Me? I'm fine." She hesitates. "I was thinking maybe you were right, that it's time we give this another try." "No maybes about it," he says, eager to nail her down. "At least on my end. How about Wednesday?" "Wednesday is good." "Great. Are you familiar with Anthony's Bar, over on Boylston? I know it's usually crowded and it can be pretty noisy, but--" "Anthony's is great," she says, as he knew she would. Crowded, noisy bars are always a woman's preferred place to meet. He smiles at the woman sitting across the table, notes the tears now wriggling freely down her cheeks. He checks his watch, making no move to wipe the tears away. Anthony's Bar is where he met her less than two hours ago. He is being rude and insensitive. "Say six o'clock?" he says into the phone. "Six is good." "No more last-minute cancellations?" "I'll be there at six on the button." "No!" his dinner companion shouts unexpectedly. "Don't . . ." He is instantly on his feet, his hand sweeping across the table to slap her hard across the face. It connects with such ferocity that the chair to which she is securely tied, her hands handcuffed behind her back, teeters on its hind legs and threatens to fall, causing the noose looped around her neck to tighten. He watches as she gasps frantically for air. Another minute of flailing uselessly about and she will likely lose consciousness. He's not ready for that. He isn't done with her yet. "What was that?" the woman calling herself Wildflower asks. "What was what?" he asks easily in return, walking around the table to steady the chair, then covering the frantic woman's mouth with his free hand. "Oh. Probably just the TV. Some guy getting the shit kicked out of him. Excuse the language." A second's silence. He can almost feel Wildflower smile. "Are you going to tell me your real name?" she ventures. "I'll tell you mine if you tell me yours," he replies flirtatiously. A lie. He never tells any of the women his real name. "Although I gotta say, I kind of like Wildflower." "Then suppose we leave things the way they are for now." "Till Wednesday, then," he says. "Till Wednesday." "Looking forward to it." He returns the phone to his pocket and removes his hand from the woman's mouth. "If you scream, I'll stick this steak knife in your eye," he says calmly, brandishing its serrated edge in front of her face. The noose around her neck is now buried inside her flesh. He doubts she has enough air to scream, even if she were so inclined. Still, he'd underestimated her before. She'd been so easy. Almost too easy. Mesmerized by his beautiful exterior, she'd gone along with his every suggestion, agreeing to leave the dark, crowded bar to enjoy a home-cooked dinner in his apartment, then eagerly sitting down at the small, round table with its white linen tablecloth already in place, not comprehending the danger she was in until her hands were handcuffed behind her and the rope was literally around her throat. She'd tried so hard, been so compliant, going along with his silly game of pretending they were on a real date, answering his stupid questions, even offering up a few of her own, undoubtedly hoping to save her life. And even when she recognized this for the pipe dream it was, when the phone call convinced her that she was simply one of many, that there was nothing special about her, and that he was already moving forward, who'd have thought she'd have the gumption to try warning his next victim? He admires that. Not that it matters. He resumes his seat at the table and calmly finishes his meal, careful to chew each piece of meat thirty times, as his father used to insist. He hopes she won't do anything stupid, something that will make it necessary to finish her off quickly. He wants to take his time with her, show her he's more than just a pretty face. He smiles, hoping to convey that she has his full attention. She deserves that. But even as he lifts the last piece of steak toward his lips, his imagination is already leaping ahead. To Wednesday. And the woman who will be his crowning achievement: Wildflower. Chapter Two Three weeks earlier At just after seven a.m. Paige Hamilton woke up to find her mother sitting on the side of her bed in her pajamas, her normally youthful features betrayed by a series of worried lines that made her look every one of her seventy years. "Mom?" "How was your date last night?" "You woke me up to ask about my date?" "How was it? "Not good." Paige pushed herself up on her elbows, recalling last night's unfortunate rendezvous as she shook her shoulder-length brown hair from her eyes. The man had been at least twenty pounds heavier and five inches shorter than his profile on Match Sticks indicated. What was the matter with these guys? Did they think that women didn't have eyes, that they wouldn't notice the discrepancy? "That's too bad," her mother said. "You thought he sounded promising." "Mom . . . what's going on?" "I don't want to worry you." "Too late for that." "I'm sorry." "Don't apologize. Tell me what's wrong." Her mother's sigh shook the double bed. "I think I might be having a stroke." Paige was instantly on her feet, dancing abstract circles on the hardwood floor. "What are you talking about? What makes you think you're having a stroke?" She searched her mother's face for signs of anything off balance. A drooping eyelid, a twitching lip. "You're not slurring your words. Are you dizzy? Are you in pain?" "I'm not in pain. I'm not dizzy," her mother repeated. "You have such a lovely figure," she said, as if this were a perfectly normal thing to say under the circumstances. Paige grabbed her pink silk robe from the foot of the bed and wrapped it around her naked body, trying to make sense of what was happening. "I didn't realize you slept in the nude," her mother continued. "I always wanted to do that, but your father preferred pajamas, so I followed his lead." "Mom! Focus! Why do you think you're having a stroke?" "It's my vision," her mother said. "It's kind of weird." "What do you mean, it's kind of weird? How weird?" "I'm seeing all these flashing lights and squiggly lines, and I remember reading that a change in vision is often the first sign you're having a stroke. Or maybe a detached retina. What do you think?" "I think I'm calling nine-one-one." "Really, darling? Do you think that's necessary?" "Yes, Mom. I really, really do." Paige grabbed her cellphone from the night table and pressed the emergency digits. "Try to stay calm," she advised her mother, although she was the one on the verge of hysteria. She'd lost her father to cancer two years ago. She wasn't ready to lose her mother, too. At thirty-three, she was much too young to be an orphan. "What are you doing?" she asked as her mother pushed herself off the bed. "I should probably get dressed." "Sit back down," Paige said, listening to the phone's persistent ring against her ear. "Don't move." She threw her free arm into the air in frustration. "What's the matter with these people? Why aren't they answering the phone? I thought this was supposed to be an emerg--" "Nine-one-one," a woman's voice said, interrupting Paige's tirade. "What is your emergency?" "My mother's having a stroke." "Well, it could be a detached retina," her mother qualified. "We need an ambulance right away." Paige quickly gave the dispatcher the address of her mother's posh Back Bay condominium. "They'll be here in five minutes," she said, crossing to the en suite bathroom and throwing some cold water on her face, then applying deodorant before grabbing the first thing she saw in her closet and pulling it over her head. "That's a pretty dress," her mother said. "Is it new?" Paige glanced at the shapeless floral sundress that Noah had always despised. She quickly reminded herself that Noah's likes and dislikes were no longer her concern. "No. I've had it a while." She retrieved a pair of lace panties from the top drawer of her dresser and stepped into them, pulling them up over her slim hips. Excerpted from All the Wrong Places: A Novel by Joy Fielding All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
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Trade Reviews

  Publishers Weekly Review

In this near-miss of a thriller from bestseller Fielding (The Bad Daughter), 33-year-old Bostonian Paige Hamilton needs a shot of validation. Recently fired from her advertising job due to a merger, and betrayed by a cheating boyfriend with her look-alike cousin, Heather, no less-she decides to try online dating. She even recommends an online dating app to her widowed mother, Joan, who might benefit from an internet-generated social life. Meanwhile, Paige's BFF Chloe turns to the app after an anonymous phone call suggests that her husband might have his own dating profile. Paige, Joan, and Chloe each come into contact with a handsome, smooth-talking serial murderer, Mr. Right Now, without raising much tension. Only toward the end, when Heather decides to impersonate Paige on a date with the killer, is there any real suspense. Occasional chapters in the voice of Mr. Right Now, though grim, feel diluted and fall short of carrying the necessary threat of looming jeopardy. Fielding's fans will hope for better next time. Agent: Tracy Fisher, WME Entertainment. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

  Kirkus Review

A serial killer stalks Boston, mostly unnoticed, as four women obsess over their personal crises.Fielding's latest seems unsure of its intentions. Breezy chick lit about stolen boyfriends, the search for commitment, and merry widowhood? Or a creepy thriller with a high-tech twist? An exceptionally handsome psychopath finds dating sites a rich lode of all too credulousand, to him, contemptiblefemale victims. The novel opens with a scene depicting Mr. Right Now (the killer's dating-site alias) luring a woman back to his bachelor pad for a gourmet dinner only to bind her and perpetrate thankfully nondetailed atrocities before disposing of her body. Cut to three weeks earlier, as four women endure comparatively less fraught ordeals. Paige has caught her boyfriend, Noah, in flagrante delicto with her look-alike cousin, Heather. Laid off from her advertising job, Paige vacates Noah's apartment to live with her widowed mother, Joan, age 70. Paige's best friend, Chloe, is taking cautious steps to escape her abusive husband, Matt, but their two children adore him. Heather, by anonymously tattling to Chloe about Matt's presence on dating sites, has provided Chloe with impetus and ammunition. Heather is the too-obvious scapegoat of this narrative. The spoiled daughter of Paige's late father's identical twin, Heather covets everything Paige has (Noah, a job in advertising), but once she's got it, she loses interest. Dipping into online dating, Paige is intrigued by Mr. Right Now's profile, and predator and potential prey circle each other via text. The main driver of suspense is whether Paige keeps her date with destiny after many cancellations, most occasioned by Joan's determination to redefine 70 as the new 60. Only one of Mr. Right Now's victims is discovered during the plot's three-week time frame, but an extensive criminal investigation is, apparently, beyond this book's purview. All the while, readers will harbor dread that Heather will, yet again, try to steal Paige's love interest. Because, vain and silly though Heather is, hers is not the comeuppance we crave.A sequel may be necessary to ensure public safety. Copyright Kirkus Reviews, used with permission.
Summary
Four women--friends, family, rivals--turn to online dating for companionship, only to find themselves in the crosshairs of a tech-savvy killer using an app to target his victims in this harrowing thriller from the New York Times bestselling author of See Jane Run and The Bad Daughter . <br> <br> Online dating is risky--will that message be a sweet greeting or an unsolicited lewd photo? Will he be as handsome in real life as he is in his photos, or were they taken ten years and twenty pounds ago? And when he asks you to go home with him, how do you know it's safe? The man calling himself "Mr. Right Now" in his profile knows that his perfect hair, winning smile, and charming banter put women at ease, silencing any doubts they might have about going back to his apartment. There, he has a special evening all planned out: steaks, wine, candlelight . . . and, by the end of the night, pain and a slow, agonizing death.<br> <br> Driven to desperation--by divorce, boredom, infidelity, a beloved husband's death--a young woman named Paige, her cousin and rival Heather, her best friend, Chloe, and her mother, Joan, all decide to try their hand at online dating. They each download an app, hoping to right-swipe their way to love and happiness.<br> <br> But one of them unwittingly makes a date with the killer, starting the clock on a race to save her life.<br> <br> New York Times bestselling author Joy Fielding has written a complex, electrifying thriller about friendship, jealousy, and passion--a deadly combination.
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