First Scout Press hardcover edition.
Publisher, Date:
New York : Scout Press, 2018.
368 pages ; 24 cm
"From the #1 New York Times bestselling author of In a Dark, Dark Wood, The Woman in Cabin 10, and The Lying Game comes Ruth Ware's highly anticipated fourth novel. On a day that begins like any other, Hal receives a mysterious letter bequeathing her a substantial inheritance. She realizes very quickly that the letter was sent to the wrong person--but also that the cold-reading skills she's honed as a tarot card reader might help her claim the money. Soon, Hal finds herself at the funeral of the deceased...where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the center of it. Full of spellbinding menace and told in Ruth Ware's signature suspenseful style, this is an unputdownable thriller from the Agatha Christie of our time"-- Provided by publisher.
9781501156212 (hardcover)
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Author Notes
Ruth Ware grew up in Lewes, in Sussex. After graduating from Manchester University she moved to Paris, before settling in North London. She has worked as a waitress, a bookseller, a teacher of English as a foreign language and a press officer. In a Dark, Dark Wood is her début thriller. <p> Ruth's second novel, The Woman in Cabin 10, became a Sunday Times and New York Times bestseller. <p> (Bowker Author Biography) Ruth Ware was born in West Sussex, England in 1977. She is a graduate of Manchester University. She has worked as a waitress, a bookseller, a teacher of English as a foreign language, and a press officer. She is the author of the psychological crime thrillers In a Dark, Dark Wood, and the bestseller, The Woman in Cabin 10. <p> (Bowker Author Biography)
First Chapter or Excerpt
Chapter 1   The girl leaned, rather than walked, into the wind, clutching the damp package of fish and chips grimly under one arm even as the gale plucked at the paper, trying to unravel the parcel and send the contents skittering away down the seafront for the seagulls to claim.      As she crossed the road her hand closed over the crumpled note in her pocket, and she glanced over her shoulder, checking the long dark stretch of pavement behind her for a shadowy figure, but there was no one there. No one she could see, anyway.      It was rare for the seafront to be completely deserted. The bars and clubs were open long into the night, spilling drunk locals and tourists onto the pebbled beach right through until dawn. But tonight, even the most hardened partygoers had decided against venturing out, and now, at 9:55 p.m. on a wet Tuesday, Hal had the promenade to herself, the flashing lights of the pier the only sign of life, apart from the gulls wheeling and crying over the dark restless waters of the channel.      Hal's short black hair blew in her eyes, her glasses were misted, and her lips were chapped with salt from the sea wind. But she hitched the parcel tighter under her arm and turned off the seafront into one of the narrow residential streets of tall white houses, where the wind dropped with a suddenness that made her stagger and almost trip. The rain didn't let up. In fact, away from the wind it seemed to drizzle more steadily, if anything, as she turned again into Marine View Villas.      The name was a lie. There were no villas, only a slightly shabby little row of terraced houses, their paint peeling from constant expo- sure to the salty air. And there was no view--not of the sea or any- where else. Maybe there had been once, when the houses were built. But since then taller, grander buildings had gone up, closer to the sea, and any view the windows of Marine View Villas might once have had was reduced to brick walls and slate roofs, even from Hal's attic flat. Now the only benefit to living up three flights of narrow, rickety stairs was not having to listen to neighbors stomping about above your head.      Tonight, though, the neighbors seemed to be out--and had been for some time, judging by the way the door stuck on the clump of junk mail in the hall. Hal had to shove hard, until it gave and she stumbled into the chilly darkness, groping for the automatic timer switch that governed the lights. Nothing happened. Either a fuse had blown, or the bulb had burned out.      She scooped up the junk mail, doing her best in the dim light filtering in from the street to pick out the letters for the other tenants, and then began the climb up to her own attic flat.      There were no windows on the stairwell, and once she was past the first flight, it was almost pitch-black. But Hal knew the steps by heart, from the broken board on the landing to the loose piece of car- pet that had come untacked on the last flight, and she plodded wearily upwards, thinking about supper and bed. She wasn't even sure if she was hungry anymore, but the fish and chips had cost £5.50, and judging by the number of bills she was carrying, that was £5.50 she couldn't afford to waste.      On the top landing she ducked her head to avoid the drip from the skylight, opened the door, and then at last, she was home.      The flat was small, just a bedroom opening off a kind of wide hallway that did duty as both kitchen and living room, and every- thing else. It was also shabby, with peeling paint and worn carpet, and wooden windows that groaned and rattled when the wind came off the sea. But it had been Hal's home for all of her twenty-one years, and no matter how cold and tired she was, her heart never failed to lift, just a little bit, when she walked through the door.      In the doorway, she paused to wipe the salt spray off her glasses, polishing them on the ragged knee of her jeans, before dropping the paper of fish and chips on the coffee table.      It was very cold, and she shivered as she knelt in front of the gas fire, clicking the knob until it flared, and the warmth began to come back into her raw red hands. Then she unrolled the damp, rain- spattered paper packet, inhaling as the sharp smell of salt and vinegar filled the little room.      Spearing a limp, warm chip with the wooden fork, she began to sort through the mail, sifting out takeout fliers for recycling and put- ting the bills into a pile. The chips were salty and sharp and the battered fish still hot, but Hal found a slightly sick feeling was growing in the pit of her stomach as the stack of bills grew higher. It wasn't so much the size of the pile but the number marked FINAL DEMAND that worried her, and she pushed the fish aside, feeling suddenly nauseated.      She had to pay the rent--that was nonnegotiable. And the electricity was high on the list too. Without a fridge or lights, the little flat was barely habitable. The gas . . . well it was November. Life without heating would be uncomfortable, but she'd survive.      But the one that really made her stomach turn over was different from the official bills. It was a cheap envelope, obviously hand- delivered, and all it said on the front, in ballpoint letters, was "Harriet Westerway, top flat."      There was no sender's address, but Hal didn't need one. She had a horrible feeling that she knew who it was from.      Hal swallowed a chip that seemed to be stuck in her throat, and she pushed the envelope to the bottom of the pile of bills, giving way to the overwhelming impulse to bury her head in the sand. She wished passionately that she could hand the whole problem over to someone older and wiser and stronger to deal with.      But there was no one. Not anymore. And besides, there was a tough, stubborn core of courage in Hal. Small, skinny, pale, and young she might be--but she was not the child people routinely assumed. She had not been that child for more than three years.      It was that core that made her pick the envelope back up and, biting her lip, tear through the flap.      Inside there was just one sheet of paper, with only a couple of sentences typed on it.      Sorry to have missed you. We would like to discuss you're financial situation. We will call again.      Hal's stomach flipped and she felt in her pocket for the piece of paper that had turned up at her work this afternoon. They were identical, save for the crumples and a splash of tea that she had spilled over the first one when she opened it.      The message on them was not news to Hal. She had been ignoring calls and texts to that effect for months.      It was the message behind the notes that made her hands shake as she placed them carefully on the coffee table, side by side.      Hal was used to reading between the lines, deciphering the importance of what people didn't say, as much as what they did. It was her job, in a way. But the unspoken words here required no decoding at all.      They said, We know where you work.      We know where you live.      And we will come back.   *     *     *   The rest of the mail was just junk and Hal dumped it into the recycling before sitting wearily on the sofa. For a moment she let her head rest in her hands--trying not to think about her precarious bank balance, hearing her mother's voice in her ear as if she were standing behind her, lecturing her about her A-level revision. Hal, I know you're stressed, but you've got to eat something! You're too skinny!      I know, she answered, inside her head. It was always that way when she was worried or anxious--her appetite was the first thing to go. But she couldn't afford to get ill. If she couldn't work, she wouldn't get paid. And more to the point, she could not afford to waste a meal, even one that was damp around the edges, and getting cold.      Ignoring the ache in her throat, she forced herself to pick up another chip. But it was only halfway to her mouth when something in the recycling bin caught her eye. Something that should not have been there. A letter in a stiff white envelope, addressed by hand, and stuffed into the bin along with the takeout menus.      Hal put the chip in her mouth, licked the salt off her fingers, and then leaned across to the bin to pick it out of the mess of old papers and soup tins.      Miss Harriet Westaway , it said. Flat 3c, Marine View Villas, Brighton . The address was only slightly stained with the grease from Hal's fingers and the mess from the bin. She must have shoved it in there by mistake with the empty envelopes. Well, at least this one couldn't be a bill. It looked more like a wedding invitation--though that seemed unlikely. Hal couldn't think of anyone who would be getting married.      She shoved her thumb in the gap at the side of the envelope and ripped it open.      The piece of paper she pulled out wasn't an invitation. It was a letter, written on heavy, expensive paper, with the name of a solicitor's firm at the top. For a minute Hal's stomach seemed to fall away, as a landscape of terrifying possibilities opened up before her. Was someone suing her for something she'd said in a reading? Or--oh      God--the tenancy on the flat. Mr. Khan, the landlord, was in his seventies and had sold all of the other flats in the house, one by one. He had held on to Hal's mainly out of pity for her and affection for her mother, she was fairly sure, but that stay of execution could not last forever. One day he would need the money for a care home, or his diabetes would get the better of him and his children would have to sell. It didn't matter that the walls were peeling with damp, and the electrics shorted if you ran a hair dryer at the same time as the toaster. It was home--the only home she'd ever known. And if he kicked her out, the chances of finding another place at this rate were not just slim, they were nil.      Or was it . . . but no. There was no way he would have gone to a solicitor.      Her fingers were trembling as she unfolded the page, but when her eyes flicked to the contact details beneath the signature, she realized, with a surge of relief, that it wasn't a Brighton firm. The address was in Penzance, in Cornwall.      Nothing to do with the flat--thank God. And vanishingly unlikely to be a disgruntled client, so far from home. In fact, she didn't know anyone in Penzance at all.      Swallowing another chip, she spread the letter out on the coffee table, pushed her glasses up her nose, and began to read.        Dear Miss Westaway,      I am writing at the instruction of my client, your grandmother, Hester Mary Westaway of Trepassen House, St Piran.      Mrs Westaway passed away on 22nd November, at her home. I appreciate that this news may well come as a shock to you; please accept my sincere condolences on your loss.      As Mrs Westaway's solicitor and executor, it is my duty to contact beneficiaries under her will. Because of the substantial size of the estate, probate will need to be applied for and the estate assessed for inheritance tax liabilities, and the process of disbursement cannot begin until this has taken place. However if, in the meantime, you could provide me with copies of two documents confirming your identity and address (a list of acceptable forms of ID is attached), that will enable me to begin the necessary paperwork.      In accordance with the wishes of your late grandmother,  I am also instructed to inform beneficiaries of the details of her funeral. This is being held at 4 p.m. on 1st December at St Piran's Church, St Piran. As local accommodation is very limited, family members are invited to stay at Trepassen House, where a wake will also be held.      Please write to your late grandmother's housekeeper Mrs Ada Warren if you would like to avail yourself of the offer of accommodation, and she will ensure a room is opened up for you.      Please accept once again my condolences, and the assurance of my very best attentions in this matter.      Yours truly,      Robert Treswick      Treswick, Nantes and Dean      Penzance        A chip fell from Hal's fingers onto her lap, but she did not stir. She only sat, reading and rereading the short letter, and then turning to the accepted-forms-of-identification document, as if that would elucidate matters.      Substantial estate . . . beneficiaries of the will . . . Hal's stomach rumbled, and she picked up the chip and ate it almost absently, trying to make sense of the words in front of her.      Because it didn't make sense. Not one bit. Hal's grandparents had been dead for more than twenty years.   Excerpted from The Death of Mrs. Westaway by Ruth Ware All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Fiction/Biography Profile
Hal (Female), Tarot card reader, Receives a letter about a substantial inheritance meant for someone else;
Goth culture
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Trade Reviews

  Library Journal Review

Grieving for her mother and barely subsisting (financially or emotionally) as a tarot card reader in Brighton, 21-year-old Harriet "Hal" Westaway is jolted from her three-year melancholy to a panic state by two urgent messages: a threat from a loan shark and news of a recently deceased grandmother's bequest. Alas, family records confirm long-dead Marion-not vastly wealthy Hester-as her grandmother, but Hal, reasoning that she was invited and her plight is desperate, resolves to join the "other" Westaways at stately Trepassen Hall to ply her formidable people-reading skills, gather data, and forge inheritance paperwork. Masterfully pacing revelations of a much darker family legacy now entangling Hal, Ware (The Lying Game) credits the endearing Hal with natural perceptiveness and grit born of adversity: she is not the first Westaway to counterfeit identity for survival's sake. Adept at imparting both dread-Trepassen's surly shades-of-Rebecca housekeeper, the debt collector's malevolent goon-and charm, Imogen Church lends a rapt, compelling delivery and rich vocal tone complementing the classically atmospheric backdrop, which includes drawing-room confrontations, wheeling magpies, and locked-from-outside attic doors. VERDICT Superbly crafted, Ware's twisty tale will captivate her followers, fans of Eve Chase's Black Rabbit Hall, and seekers of character-driven mysteries. Enthusiastically recommended. ["Ware's fourth novel is her best yet, with steadily increasing tension, a complicated...mystery, and a sharp, sympathetic heroine who's up to the challenge of solving it": LJ Xpress Reviews 4/20/18 starred review of the Scout: Gallery hc.]-Linda Sappenfield, Round Rock P.L., TX © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

  Publishers Weekly Review

In this tense, twisty modern gothic set in England from bestseller Ware (The Lying Game), Harriet "Hal" Westaway receives a letter stating that her grandmother, Hester Westaway, is dead, and that Hal is a beneficiary of her will. Hal knows there's been a mistake-her grandmother was named Marion Westaway and died two decades earlier-but the 21-year-old orphan owes a lot of money to some dangerous people, feels comfortable stealing a small sum from wealthy strangers, and decides to use the skills she's honed as a fortune teller on Brighton's West Pier to scam some quick cash. But when she arrives at the crumbling family estate in Cornwall, neither the inheritance nor the Westaways are what she expects. Moreover, she begins to suspect that her invitation was no accident. Is Hal playing the Westaways, or is she somebody's pawn? Evocative prose, artfully shaded characters, and a creepy, claustrophobic atmosphere keep the pages of this explosive family drama turning. Agent: Eve White, Eve White Literary (U.K.). (May) © Copyright PWxyz, LLC. All rights reserved.

  Booklist Review

*Starred Review* Hal hasn't had it easy in the three years since her mother died. She's dropped out of school and taken over her mother's tarot booth on Brighton Pier, but there was never much to be made from that. Now interest on the money from a loan shark has grown to an impossible amount, and he's threatening to break her bones. So when a letter arrives on creamy stationery from a lawyer in Penzance saying she's an heir to her grandmother's fortune, Hal goes to claim it, even though she knows he has the wrong person. Yet once at Trepassen House, things take an odd turn; a photograph shows she does have connections to the family. Finding the truth, however, turns into a very dangerous enterprise indeed. Ware, who, with a run of acclaimed thrillers, including The Lying Game (2017), has established herself as one of today's most popular suspense writers, twists the knife quite expertly here. Her clues tease readers, making them think they know what will happen next, and they do up to a point. The labyrinth Ware has devised here is much more winding than expected, with reveals even on the final pages. The plotting is not completely seamless, but that is more than made up for by a clever heroine and an atmospheric setting, accented by wisps of meaning that drift from the tarot cards.--Cooper, Ilene Copyright 2018 Booklist

  Kirkus Review

A young woman receives notice of a mysterious bequest. Is it a case of mistaken identity, or will it reveal some truth about her family?In Ware's (The Lying Game, 2017, etc.) fourth novel in as many years, Harriet "Hal" Westaway is barely making ends meet as a tarot reader on the Brighton Pier. Her mother died in a hit-and-run several years before, and in her grief, Hal has drifted into a solitary and impecunious life. Worse still, she's under threat from a loan shark who's come to collect the interest on an earlier debt. So when she receives a letter saying she's been named in the will of, possibly, an unknown grandmother, she decides to travel to Cornwall, despite fearing that it's probably all a mistake. There she meets several possible uncles and a creepy old housekeeper right out of a Daphne du Maurier novel, all against the backdrop of a run-down mansion. As Hal desperately tries to keep up her charade of belonging to the family, she realizes that the malevolent atmosphere of Trepassen House has strong roots in the past, when a young girl came to live there, fell in love, and was imprisoned in her bedroom. Hal just has to figure out exactly who this girl waswithout getting herself killed. Ware continues to hone her gift for the slow unspooling of unease and mystery, developing a consistent sense of threat that's pervasive and gripping. She uses tarot readings to hint at the supernatural, but at its heart, this is a very human mystery. The isolation of Trepassen House, its magpies, and its anachronistic housekeeper cultivate a dull sense of horror. Ware's novels continue to evoke comparison to Agatha Christie; they certainly have that classic flavor despite the contemporary settings.Expertly paced, expertly crafted. Copyright Kirkus Reviews, used with permission.
From the #1 New York Times bestselling author of In a Dark, Dark Wood , The Woman in Cabin 10 , and The Lying Game comes Ruth Ware's highly anticipated fourth novel. <br> <br> On a day that begins like any other, Hal receives a mysterious letter bequeathing her a substantial inheritance. She realizes very quickly that the letter was sent to the wrong person--but also that the cold-reading skills she's honed as a tarot card reader might help her claim the money.<br> <br> Soon, Hal finds herself at the funeral of the deceased...where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the center of it.<br> <br> Full of spellbinding menace and told in Ruth Ware's signature suspenseful style, this is an unputdownable thriller from the Agatha Christie of our time.
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